A Bit of Background
I met John in graduate school in the Art Department at San Francisco
State University in 1967. We shared a love of Dada and Surrealism,
an appreciation for Zen Buddhism and a delight in using any and
all art forms we encountered. We were also avid collectors of
almost anything that might be potential art material.
John made art his entire life. He often used his art to make
and keep himself whole. He was a very gentle man. He was deeply
saddened by social injustices in the world. He always seemed to
me to be dedicated to non-violence. However, except for his writings
and the art he made, he kept most of what he felt inside. He created an umbrella organization for all his work and
activities and called it The Dada Processing Institute (D.P.I.). He declared himself official Finder of the D. P. I. I was made
an honorary member.
He taught a variety of art classes at Santa Rosa Junior College
where he was a member of the adjunct faculty for about 25 years.
He exhibited his work through the San Francisco Museum of Modern
Art Rental Gallery and showed in numerous one-man and group shows
in San Francisco and in Sonoma County, California. He worked full
and part-time in the Santa Rosa Post Office for over two decades
often on shifts with very bizarre hours.
John appears in many stories throughout the Nada Farm Museum
of Archetypes website. Of special note are John Kessel's Flaw Orgy and The Plumber's Gloom. Most of the materials presented here are selections from the
"NFMOA John Keith Kessel Archives" which primarily consists of
poetry, writings, collages, drawings and small objects that he
sent or gave me during the years 1967 - 1993. Several photographs
have been provided by his daughter Andree Kessel and by John's
close friend and colleague at SRJC, John Watrous.
John created hundreds of other works during his life in a
wide variety of media and forms. Perhaps some of these works will
be able to be shown here some day too.
-Robert Comings
|